But okay, no, for serious: Stoner, by John Williams, is a great book, and is one of the best reading experiences I've had this year, or even in the last several years. In part because of context: I was working on my next book review when I read this one, and I'd read that book once, the review title book, and that one did things to me that I could not entirely define for myself yet, and so I knew I'd need to read it again, but I didn't want to read it again immediately--I needed to step away from it, for a moment, the way you might step away from a mirror only to return to it later to find yourself familiar in some surprising way, like deja vu refracted through a glass of thick water. And that review title does a whole bunch of complex things in intriguing ways, and for whatever reason, I picked up Stoner off the perpetually one-foot-tall TBR pile, and, I mean, it's cliche to say you can't stop reading a book, but, like love, it's so damn real and completely not cliche when you're actually in it, all the more so since I hadn't been in that specific place in a while, it seemed like--I mean, I'd read some other good books earlier this year, but usually in a, well, this is great, but I can also go rack up some trophies on the PlayStation, too, and have a good time tonight as well, right? Not so, with Stoner. I spent my days at work looking forward to going home so I could read more of it. This book reminded me that I had forgotten slightly just what the fig leaf a good book is supposed to do: strip away your modesty, leave you emotionally naked before it, make you need it. It is a book that makes you become a person. And this from a book that from its opening paragraph seems like it's got jack-all to do or go toward--I mean, it lays out the fact in the opening paragraph that the title character lives a life and then he dies and it didn't much matter to anybody except maybe to him. Which is pretty much a huge bummer but, what, now I have to read a couple hundred more pages about this fellow? No. Please. But! The thing is, the opening paragraph is a feint, or perhaps a huge lie; because, yes, spoiler alert, you are reading about the life of a guy who will, by the end of the book, die, except, in the time you spend with him, in the time you spend reading Williams's perfectly reasonable, perfectly paced, perfectly rhythmic, perfectly unostentatious prose, he, Stoner, comes to mean a little more to you than most strangers ever will. At least, so it seemed to go for me. And it's sad but it's so strong. If I was the crying sort, I probably would have, around the time I finished. But I did not cry, and I set it down, and I returned to the book about which I was due to write a review, and I felt recharged, and refreshed, and ready to take this world of literature on again, one book at a time. My craving was reborn.
And so, tell me, please, because I would like to know: what book has done that for you?