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New Review at The Quarterly Conversation: Stephen Dixon, What Is All This?

The Winter 2011 (2011?) Quarterly Conversation is live. It includes my review of What Is All This?, the new Stephen Dixon short story collection. The review begins sort of like this, though you’ll have to go over there to see the footnotes (footnotes?): What Is All This? is a potent, refreshing collection of previously uncollected short [...]

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Books I’ve read this year; or, the blog-post equivalent of eating the entire friggin bag of chips

Books! I’ve read a few this year. So far. I’m not expecting much in the way of surprise between now and the end of the year, though–seems like it’s all sort of mapped out. Like, there’s this guy, you may have heard of him, Jonathan Franzen? Yeah, he’s got a new novel coming out in [...]

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  • Reviews Elsewhere

    In little to no particular order.

    • "Monika Fagerholm creates a dark, dramatic, and lyrical world, often insular, full of change and loss.... I fell in love with this world and these books; they are, for me, a fresh reminder of what story itself is about.." Reviewed at The Collagist.
    • "Joshua Mohr’s debut novel...is where Michael Gondry would go if he went down a few too many miles of bad desert road." Reviewed at The Collagist.
    • "Fill your book with blatant, modern-day classic, critical thematic concerns and a reviewer ought to have no problem calling them out in an easily digested bullet-point format.... Except, this book hurt. And trying to find a way to talk about that without merely repeating over and over again that this book hurt presents a far greater challenge." Reviewed at The Collagist.
    • "Let me be completely transparent: with Lethem’s work, I approach it with expectations. I expect spice. In this case, I found the book flavorless and cold." Reviewed at Identity Theory.
    • "Consider the f-bomb: you can trace the trajectory of the story’s heart by the elegant deployment of that dexterous cuss word across the pages of...Laird Hunt’s latest (arguably best, unarguably most emotionally engaging) novel." Reviewed at Identity Theory.
    • This review includes footnotes. Reviewed at The Quarterly Conversation.
    • "It is a slippery novel. It will never lay still and compromising in your hands, but the harder you hold on to it, the harder it is to hold. In confounding, it rewards: to borrow a line from the book, 'It’s only a problem if you make it one.' Reviewed at The Collagist.