Category Archives: meta

New video

I Am In Here from Darby Dixon III on Vimeo. Kinetic type interpretation of the opening paragraphs of the book Infinite Jest by David Foster Wallace. For the tech interested: all the stop-motion marker-y and cut-out-y stuff was shot using Dragonframe; that footage was combined, sliced, and diced with the rest of the type in [...]

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New story

The latest issue of The Cleveland Review is available. There, you will find a short story, “Going See-Through,” by yours truly. (Which I’m pretty ridiculously excited about.)

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Half-baked thoughts at the end of a twice-baked year

It’s been a weird year, you guys. From the long novel project to the sort of semi-ish still in process pop-novel project, which I don’t think I’ve gotten around to saying anything about anywhere, to the absurd PDF blog post, an effort that sort of cemented a lot of my thoughts and feelings about how [...]

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What criticism might be

What is criticism? At its best, a piece of criticism is something smart said about a thing that is smart. It is the type of criticism which most criticism aspires to be; it is also the most fundamentally redundant. It puts in words what was already in terms that the heart already knew and the [...]

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Still alive, sans cake

I’m almost–almost!–half way through War and Peace. That’s how long it’s been since I’ve, you know, said hi, here. I’m also about halfway through a semester’s worth of a drawing class. I’m at the beginning of some other cool things that are starting up that I hope to be able to share with you in [...]

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Y2K11: So It Begins

Hey! 2010. That happened. It did. And now it’s done. I forgive it for being done! It had to happen eventually. And on this last day of my winter vacation, the day devoted to drinking a strong pot of coffee before nervously spending the rest of the day crying myself to sleep in anticipation of [...]

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Immortality; or, 2006 is my Independence Day

Editor’s note: the following post is kind of jumping the gun, a bit, but it’s also kind of becoming quickly out of date, as well; it’s a little paradoxical. There’s more books from earlier this year yet to be discussed and a book from right now that is in the process of being discussed but [...]

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Apologies, and a weird picture of a girl with a gun to her head

No, the apologies are not for dissing Nobody Move, but for any recent issues you may have experienced reaching this blog. Something’s been failing, though it’s unclear what. Let me know via your favorite form of Internet magic if your quality of life is affected by these spotty outages. Also, I apologize to anybody who [...]

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  • Follow Elsewhere

  • Reviews Elsewhere

    In little to no particular order.

    • "Monika Fagerholm creates a dark, dramatic, and lyrical world, often insular, full of change and loss.... I fell in love with this world and these books; they are, for me, a fresh reminder of what story itself is about.." Reviewed at The Collagist.
    • "Joshua Mohr’s debut novel...is where Michael Gondry would go if he went down a few too many miles of bad desert road." Reviewed at The Collagist.
    • "Fill your book with blatant, modern-day classic, critical thematic concerns and a reviewer ought to have no problem calling them out in an easily digested bullet-point format.... Except, this book hurt. And trying to find a way to talk about that without merely repeating over and over again that this book hurt presents a far greater challenge." Reviewed at The Collagist.
    • "Let me be completely transparent: with Lethem’s work, I approach it with expectations. I expect spice. In this case, I found the book flavorless and cold." Reviewed at Identity Theory.
    • "Consider the f-bomb: you can trace the trajectory of the story’s heart by the elegant deployment of that dexterous cuss word across the pages of...Laird Hunt’s latest (arguably best, unarguably most emotionally engaging) novel." Reviewed at Identity Theory.
    • This review includes footnotes. Reviewed at The Quarterly Conversation.
    • "It is a slippery novel. It will never lay still and compromising in your hands, but the harder you hold on to it, the harder it is to hold. In confounding, it rewards: to borrow a line from the book, 'It’s only a problem if you make it one.' Reviewed at The Collagist.